Why Dunki will stand by the test of time?

 In today's time, there is a normalcy of excess pleasure, desire to consume pleasure again and again. There is a pressure within the society to consume pleasure more and more. Mass scale cinema with spectre, big budget, high promotion, story, characters, plotline often are consciously playing to this psyche of excess consumption. This excess consumption through the aesthetics of cinema often leads to a harassement. In such a harassement process of cinema, the excess and the passion of excess in a cinema hurts the object. Knowingly and unknowingly the cinema watchers can become such an object of a 1000 crore hit or a flop film. So, often a great film can create such a hurtful object of passion or might not. A hit, flop, average, mediocre film can create such hurtful objects unknowingly even through best crafts in a cinema. Hence cinema can create passion which then hurts and leads to harassement even for a fan of a certain cinema or for a one time watcher of the same cinema. Even before the art and craft of cinema comes in, the excess of pleasure, passion can create hurtful harassement. 

The society as it evolves often demands such passion led hurtful objects. In many developed societies, such hurtful excesses are reduced through human right declaration and definition for necrophaliacs. Such right spaces reduces excess of consumption, pleasure, harassment of objectified passion. 

It is over here, even before technical craft of a cinema comes, the characters, stories of characters, plots of a film can win over the excess in a society of excess. Hence characters, story plots of Dunki characters of the latest SRK film does this and wins over Pathan, Jawan and Animal even before the art, craft of cinema sets in. 

Within a society of excess, Dunki regulates our excess through the characters, stories, plots and makes us more human within the passion of an Animal, Jawan, Pathan. Dunki slowly and steadily inspite of its stretched cinematic art, craft, wins our excesses by making us laugh and cry at the same time. In hindsight, the cinema of the camera of Dunki turns out to be the watch tower of a pleasured society and questions its trajectory in the long term.